This article examines the nature of good and evil through the prism of Star Wars, arguing that the ostensible dichotomy between the ‘good’ Jedi and the ‘evil’ Sith is false, and instead both the Jedi and the Sith engage in violence, which is evil. Anakin Skywalker then arrives as the Christ-figure who becomes evil and ‘dies’ to destroy the old rigid law of the letter adhered to by the Jedi, before resurrecting and sacrificing himself to defeat the Sith transgressors. As Milbank argues, the act of selfless love by Anakin as the Christ-figure therefore produces the good, the end of violent conflict which is ontological peace, and institutes the law of love which leads to life and peace
Star Wars: The Last Jedi was probably the most political movie of the franchise so far. In this piec...
Luke Skywalker, the embodiment of good masculinity in the Star Wars universe, cannot but understand ...
From Star Trek to Star Wars, popular culture is replete with images and signs of what might be calle...
This essay examines the representation of evil in the Star Wars prequel film series. The starting po...
Recently George Lucas’ approved animation series, Clone Wars, has rekindled the imaginations of the ...
Since his first appearance in 1977, Darth Vader has been considered to be the epitome of evil. Howev...
Where is the Law in Star Wars? Why in films so resonant with our current times, saturated with techn...
The relationship of the trilogy of Star Wars (SW) prequels to the \u27classic trilogy\u27 is a compl...
This is a film review of Star Wars: The Last Jedi (2017) directed by Rian Johnson
Human beings are deeply moral creatures. Perhaps nowhere is this more evident than in the stories we...
A Review of Star Wars: Episode VII—The Force Awakens (2015) by J. J. Abrams (Director) “Use the For...
War is a special time where conflicts among countries become so fierce that people without any perso...
Using Star Wars as a case study, this thesis examines the cultural circulation of morality through d...
Today’s popular culture often implement’s religious themes or religious symbolism. Popular culture s...
The thesis is all about studying the film Revenge of the Sith in an American exceptionalist point of...
Star Wars: The Last Jedi was probably the most political movie of the franchise so far. In this piec...
Luke Skywalker, the embodiment of good masculinity in the Star Wars universe, cannot but understand ...
From Star Trek to Star Wars, popular culture is replete with images and signs of what might be calle...
This essay examines the representation of evil in the Star Wars prequel film series. The starting po...
Recently George Lucas’ approved animation series, Clone Wars, has rekindled the imaginations of the ...
Since his first appearance in 1977, Darth Vader has been considered to be the epitome of evil. Howev...
Where is the Law in Star Wars? Why in films so resonant with our current times, saturated with techn...
The relationship of the trilogy of Star Wars (SW) prequels to the \u27classic trilogy\u27 is a compl...
This is a film review of Star Wars: The Last Jedi (2017) directed by Rian Johnson
Human beings are deeply moral creatures. Perhaps nowhere is this more evident than in the stories we...
A Review of Star Wars: Episode VII—The Force Awakens (2015) by J. J. Abrams (Director) “Use the For...
War is a special time where conflicts among countries become so fierce that people without any perso...
Using Star Wars as a case study, this thesis examines the cultural circulation of morality through d...
Today’s popular culture often implement’s religious themes or religious symbolism. Popular culture s...
The thesis is all about studying the film Revenge of the Sith in an American exceptionalist point of...
Star Wars: The Last Jedi was probably the most political movie of the franchise so far. In this piec...
Luke Skywalker, the embodiment of good masculinity in the Star Wars universe, cannot but understand ...
From Star Trek to Star Wars, popular culture is replete with images and signs of what might be calle...